Artists are more multidisciplined in the 21st century than before. And why not? They have the means to combine traditional techniques with technology, in ways that are becoming increasingly accessible.
Aditya Verma believes his work naturally combines mediums: painting and photography are a seamless blend, with paint being the focal point. His series on body art, in which he paints spectacular, multicoloured works on human subjects, can be described as intimate and intoxicating. Verma, of Delhi, coined this particular form as “body painting”. Throughout the continuing series, he works with people who have chosen to have their stories and innermost thoughts physically canvassed upon them.
He says: “The inspiration [for body painting] comes from the people I work with. If I were painting on a canvas, it would be just about me but here, my canvas is a person and what they’re saying has an impact. During the session, I get to be a part of someone’s life for a small window of time.”
Many of Verma’s photographs and paintings are of couples
(Aditya Verma)
Verma works with subjects who approach him
(Aditya Verma)
Verma’s work has resulted in his social media being taken down
(Aditya Verma)
A glance at his photographs reveals the depths and painstaking time in each. Verma says that each painting session lasts anywhere from four to 12 hours, during which he works and speaks with his subjects, inspired by their conversations and infusing his paintings with what he hears. Afterwards, he photographs each subject.
The people Verma works with are not at his request. They approach him and the work is born from there. Many of his photographs and paintings are centred around couples, who seek for their relationships, anxieties, and intimacies to be captured through Verma’s eye. He explains that each conversation has a physical reaction, which he translates into his vision.
Verma says he would ‘meet obstacles such as censorship’
(Aditya Verma)
Verma’s photographs illustrate painstaking work for each art
(Aditya Verma)
Photos ‘document what will later be erased’
(Aditya Verma)
Because of the nature of the process, his work is often abstract and raw, as if following the stream of conversation. The artist takes a deeply philosophical approach to his art, saying that he works in a subconscious state, resulting in artwork that is, “very true, honest, and unfiltered”.
Verma began sharing his body art on Instagram in 2018 and received what he describes as a “phenomenal” response. While traditional painting sits at the core of his artistry, Verma harnesses photography to bring his art to the world – art that pushes boundaries when it comes to love, the human body and interconnectedness. He highlights that his photography is not a focal point of the art but rather a means to document what will later be erased. Despite this, Verma’s photography mirrors his artwork, with an intimate and sensitive quality.
Multicoloured works can be described as intimate and intoxicating
(Aditya Verma)
Photography combines his art and is art in itself
(Aditya Verma)
Verma takes tradition and ‘explores it with modern elements’
(Aditya Verma)
He says: “My art is derived from the pillars of tradition. But I’m taking that and exploring it with modern elements.”
The unadulterated aspect to Verma’s work has resulted in social media posts being taken down on many occasions. His account has been restricted or posts have been reported. This is something to which he has become accustomed.
He says: “Doing this kind of work in India means that there are a lot of questions and you will meet obstacles such as censorship. But there is resilience, too.”
His art may have a small impact but a very permanent one
(Aditya Verma)
Verma acknowledges that for conservative societies nudity in art is often difficult to reconcile
(Aditya Verma)
Such blockades have not stopped Verma, with his vast body of work. He acknowledges that for conservative societies nudity in art is often difficult to reconcile. He aims to shape and challenge these notions, hoping to create a kind of normality in what he is offering the public.
He says: “Art’s role is very slow and true. The voice in your work can never be taken away. Even if you have a small impact, it’s a very permanent one.”
