Glastonbury Festival will mark its 50th anniversary in 2020, with next year’s event expected to be one of the biggest and most ambitious yet.
Emily Eavis previously confirmed that two of the headline acts have been booked years in advance, and speculation is mounting as to who could be taking to the festival’s iconic Pyramid Stage.
In 2019, the headliners were Stormzy, The Killers and The Cure, and other highlights included Kylie Minogue, Wu-Tang Clan and Liam Gallagher, as well as a surprise performance from Foals.
Standard weekend tickets for the 2020 festival, which will run from 24 to 28 June, are priced at £265 each, plus a £5 booking fee – up £17 per ticket from 2019.
So who will be headlining at Worthy Farm next year?
1/20 20. The Levellers – Pyramid Stage 1994
Sometimes quantity really does matter as much as quality. Without a steel fence to keep the gatecrashers away, Glasto was officially free and The Levellers played to what is reported to have been the festival’s largest ever crowd to date, estimated at 300,000. Imagine how many dogs were tied up at the gate.
Alamy
2/20 19. Kanye West – Pyramid Stage, 2015
As far as classic Glastonbury talking points go, nothing since Michael Jackson died has come close to Kanye’s 2015 slot. For all his claims to be “the biggest rock star on the planet”, nerves got the better of what was arguably Kanye’s highest-profile show ever. His attempt to echo Jay-Z’s rock-embracing “Wonderwall” from 2008 fell flat when he forgot the words to “Bohemian Rhapsody”, and he had to restart “Black Skinhead”’ after comedian Lee Nelson invaded the stage pretending to be a surprise guest rapper. Nonetheless (look away now, Noel), some class this as another key victory in hip-hop’s Glastonbury takeover.
Getty
3/20 18. Primal Scream – NME Stage, 1992
The volume, according to some onlookers, was like listening to a car stereo playing ”Movin’ On Up” underwater three miles away. Yet Primal Scream bringing Screamadelica to the NME Stage in 1992 was more of a collective celebration of music’s most double-visioned zeitgeist. Generation “Loaded” came together as one, and rock and dance cultures mated furiously in the bushes at this peak of the Ecstasy rave explosion.
Youtube
4/20 17. T Rex – Main Stage, 1970
“Don’t touch my car!” Marc Bolan barked at Michael Eavis when the burgeoning festival don – en route to Minehead Butlin’s to replace The Kinks at what was then essentially a farmer’s party taking place on a stage held together with string – tried brushing leaves off his Cadillac. Yet Bolan’s T Rex stormed the inaugural Glastonbury (or the Pilton Pop, Folk & Blues Festival as it was known – £1 per ticket and all the milk you could drink). “Bolan played on and on and on as the sun was going down,” Eavis recalled, “all the hits, the full works, and it sounded fantastic.”
Rex Features
5/20 16. Portishead – Acoustic Tent, 1995
As many a troubadour will attest, it’s rare to find a crush of 15,000 people stuck outside the Acoustic Tent. But the arrival of local (ish) heroes Portishead bearing the sumptuous jazz lounge trip-hop of their hugely acclaimed debut album Dummy prompted just such polite chaos. The lucky few inside reported a bewitching set of very modern heartache – “Glory Box” and “Sour Times” capping a show of immense grace and emotion. As many tears inside as out.
Rex Features
6/20 15. The Killers – New Tent, 2004
The best sign of encroaching superstardom, they say, is when your John Peel Stage debut is as rammed and rambunctious as Theresa May’s leaving drinks. Arguably the first and finest example was the tsunami of fans descending on the New Tent early on the Saturday evening in 2004, to toast the arrival of Las Vegas indie pop showmen The Killers. The crowds stretched far outside the tent but even the ones on the outskirts bawled along to “Mr Brightside” and “All These Things That I’ve Done”. It was such a “moment” that the band returned to the stage (now the John Peel Stage) for a secret encore in 2017.
Rex Features
7/20 14. Orbital – NME Stage, 1994
Dance music had long-since conquered clubland, but its clout as a force to unify a vast festival crowd was unrecognised until Orbital took Glasto ’94 by synthetic storm. Drawing 40,000 ravers to the NME Stage for their headline set with little more than compulsive beats and headlights on their faces, the Hartnoll Brothers dazzled not just the millions watching Glastonbury’s first televised broadcasts on Channel 4, but Eavis himself. So much so, in fact, that he was inspired to open a dedicated Dance Tent the following year. It’s since grown into its own festival-within-a-festival in the Silver Hayes dance village.
Rex Features
8/20 13. New Order – Pyramid Stage, 1981
By 1981, Glastonbury had grown from its Pilton Pop, Folk & Blues roots, but not far. It was a CND charity gathering of around 3,000 bikers burning up the site as they waited for Hawkwind to come on. “It was our version of Altamont but without any trouble,” said New Order’s Peter Hook of their “spirited” support slot, but it was also the moment the band emerged from beneath the lingering clouds of Joy Division and proved themselves the silvery scouts of the new electronic age.
Rex Features
9/20 12. Beyoncé – Pyramid Stage, 2011
If Jay could do it, so could Bey. Following her husband’s celebrated 2008 headline slot (and pregnant with their first child at the time), Beyoncé delivered Glastonbury’s ultimate pop experience to date. “Single Ladies (Put a Ring On It)”, “Crazy in Love”, glitzy covers of both “Love to Love You Baby” and “Sex On Fire’, billowing ballads sung while kneeling on white grand pianos… even the bells had whistles on them. All of this was wrapped up with the most bootylicious of Destiny’s Child medleys.
Rex Features
10/20 11. Dolly Parton – Pyramid Stage, 2014
The Sunday afternoon legend slot was custom-built for Dolly. From “Jolene” to “I Will Always Love You”, the queen of country charmed the sodden 2014 crowd like no other artist in this affectionate slot before or since, with her between-song yarns about mountain life, a song called “Mud Song” specially written for the occasion and her way of calling the event “Glastonberry”. Kylie’s got her work cut out.
Rex Features
11/20 10. Happy Mondays – Pyramid Stage, 1990
By its very nature as a gigantic concave mirror on alternative culture, Glastonbury reflects and exaggerates music’s pivotal moments. Case in point: Happy Mondays roll onto the Pyramid Stage in 1990 – just as Ecstasy is reshaping youth culture into very bendy shapes indeed – and twist the melon of an entire generation with “Step On”, “Wrote For Luck” and “Hallelujah”. Where the Second Summer of Love (1988-1989) was an in-the-know affair, this set made it universally hip to be hairy, lairy, baggy and boggle-eyed.
Getty Images
12/20 9. Jay-Z – Pyramid Stage, 2008
Noel Gallagher wasn’t having it, but Glastonbury 2008 certainly was. Gently mocking Noel’s disgust as rap infiltrated rock’s most revered stage, Jay-Z entered with a ramshackle solo rendition of “Wonderwall”, then all but smashed his acoustic guitar as he burst into “99 Problems”. There followed a veritable firestorm of hip-hop classics – “Izzo (H.O.V.A.)”, “Girls, Girls, Girls”, “Big Pimpin’”, “Hard Knock Life (Ghetto Anthem)” – almost as though Jigga was beating the spirit of Glastonbury into submission before forcing it to wear a Brooklyn Nets shirt. The festival’s mind was opened forever, that night.
Rex
13/20 8. Patti Smith – Pyramid Stage, 2015
Most so-called “heritage” acts go through the motions at Glastonbury – a stout chunk of their folky new record and, begrudgingly, a smatter of their old hits. Not Patti Smith. She attacked the Pyramid Stage in 2015 like a white-haired tornado. Ripping strings from her guitar by the fistful and hailing “Freedom!” at the top of her voice, she tore through “Land”, “Gloria” and The Who’s “My Generation” like the age-defying punk pioneer she is. She even found time to present the actual Dalai Lama with a birthday cake onstage and fall on her face, “because I’m a f****** animal!” Amen.
Getty Images
14/20 7. Oasis – NME Stage, 1994
Scenes become seismic events when they prove they can dominate an entire Glastonbury festival. Take Sunday 26 June, 1994, when a young, cocksure Liam Gallagher strode onto the NME Stage in a black jumper and shades and demanded of a distinctly mad-ferrit crowd: “Are you lot gonna wake up for some proper songs?” Songs rarely came so “proper” as “Cigarettes and Alcohol”, “Live Forever” and “Fade Away”, which joined “Shakermaker” and “Supersonic” in the wider public domain that day – bombardments from Britpop’s northern armies. The Nineties suddenly had some real fight in them.
Rex
15/20 6. Blur – NME Stage, 1994
By the time Pulp and Radiohead had played that same stage, that same day, in a line-up that Johnny Greenwood would describe as ”like the Champions League”, Britpop had officially arrived. To herald this cultural breakout, Blur rolled up in their Parklife charabanc at sundown for a coming-of-age party that saw “Girls & Boys”, “End of a Century” and the era-defining title track taken on as generational anthems, at a show as celebratory and momentous as any headline set. It took a year before the News at Ten caught on, but everyone at the NME Stage that day knew that Britpop already owned the decade.
Getty
16/20 5. Radiohead – Pyramid Stage, 1997
Radiohead’s 1997 headline slot is often cast as a battle – against the elements, malfunctioning stage equipment and their own despondency. “Everything broke onstage,” said Ed O’Brien. “It turned into the worst night of our lives. I don’t think we ever wanted to play a concert again.” But it’s better remembered as a battle against the formulaic post-Oasis rock landscape of Ocean Colour Scenes and Stereophonics, into which OK Computer landed like a laser-precision drone attack. “Lucky” rang out like an epic air-raid siren for the end of the century, and Radiohead’s fresh brand of ultramodern melancholia – “No Surprises”, “Karma Police”, “Airbag” – made it feel as though the future had chosen Worthy Farm for its grand unveiling.
RMV/REX/Shutterstock
17/20 4. The Smiths – Pyramid Stage, 1984
“I don’t want to sound revolutionary, or wild or dangerous, but hippydom… what does it mean?” So said Morrissey, hearing aid firmly in lughole, backstage at Glastonbury 1984 – shortly before The Smiths were resoundingly booed and bottled by a field full of Santana fans. Hippydom certainly wasn’t a bunch of effete Mancunians flapping around singing wiry pop songs full of wry, poetic teenage ennui such as “Hand in Glove”, “Heaven Knows I’m Miserable Now” and “This Charming Man”. The performance inspired Glastonbury’s first stage invasion, but never would Glasto be defined as a purely “hippy festival” again. With The Smiths came a new subculture and a contemporary inclusiveness that reinvented the festival as a youth culture gathering that was indeed revolutionary, wild and a little bit dangerous.
Rex Features
18/20 3. Paul McCartney – Pyramid Stage, 2004
Sometimes all it takes to slip seamlessly into Glastonbury legend is the greatest songbook known to mankind. Sir Paul’s first ever UK festival show – no, really – was the singalong to end them all: “Eleanor Rigby” into “Drive My Car”, “Penny Lane”, “Get Back”, “Band On the Run”, “Back In the USSR”, “Live and Let Die”, “I’ve Got a Feeling”, “Lady Madonna” and a “Hey Jude” you could hear from Dunfermline. That was before the encore. McCartney has been semi-confirmed for 2020 – start refreshing the ticket page now.
Brent N. Clarke/Invision/AP
19/20 2. David Bowie – Pyramid Stage, 2000
Bowie’s reputation as an uncompromising art iconoclast preceded him for Glastonbury 2000. We’d seen him headline festivals before, playing hit-free drum’n’bass sets or onslaughts of screeching future metal that sounded like vaguely tuneful slow-motion car crashes. Needless to say, we weren’t exactly expecting “Changes”. Then he came on in a kind of Moroccan bathrobe affair and sang “Changes”. And “Life On Mars?” And “Ashes to Ashes” and “Rebel Rebel” and “Under Pressure” and “Starman” and “All the Young Dudes” and everything else you could possibly want David Bowie to play. You could’ve seen David Bowie live a thousand times, and this would be the set you remembered.
20/20 1. Pulp – Pyramid Stage, 1995
When The Stone Roses pulled out of their hotly anticipated Glastonbury headline set in 1995, few in the crowd had any idea who was replacing them until Pulp walked onstage. To say they stepped up is a vast understatement – they went down in history. Jarvis Cocker seemed born to prowl the world’s largest stage, chatting to the biggest crowd of his life like it was a mate down his local Voyeurs Anonymous meeting. The likes of “Babies”, “Disco 2000” and ”Common People” crystallised Britpop’s ascendance in 60 or so scintillating minutes. They even unveiled a new song seemingly penned for the occasion – “Sorted For E’s & Wizz” – and encapsulated the bewildering, otherworldly spirit of Glastonbury in 20 words: ”Is this the way they say the future’s meant to feel?/ Or just 20,000 people standing in a field?” And to think, they asked Rod Stewart to fill in first.
1/20 20. The Levellers – Pyramid Stage 1994
Sometimes quantity really does matter as much as quality. Without a steel fence to keep the gatecrashers away, Glasto was officially free and The Levellers played to what is reported to have been the festival’s largest ever crowd to date, estimated at 300,000. Imagine how many dogs were tied up at the gate.
Alamy
2/20 19. Kanye West – Pyramid Stage, 2015
As far as classic Glastonbury talking points go, nothing since Michael Jackson died has come close to Kanye’s 2015 slot. For all his claims to be “the biggest rock star on the planet”, nerves got the better of what was arguably Kanye’s highest-profile show ever. His attempt to echo Jay-Z’s rock-embracing “Wonderwall” from 2008 fell flat when he forgot the words to “Bohemian Rhapsody”, and he had to restart “Black Skinhead”’ after comedian Lee Nelson invaded the stage pretending to be a surprise guest rapper. Nonetheless (look away now, Noel), some class this as another key victory in hip-hop’s Glastonbury takeover.
Getty
3/20 18. Primal Scream – NME Stage, 1992
The volume, according to some onlookers, was like listening to a car stereo playing ”Movin’ On Up” underwater three miles away. Yet Primal Scream bringing Screamadelica to the NME Stage in 1992 was more of a collective celebration of music’s most double-visioned zeitgeist. Generation “Loaded” came together as one, and rock and dance cultures mated furiously in the bushes at this peak of the Ecstasy rave explosion.
Youtube
4/20 17. T Rex – Main Stage, 1970
“Don’t touch my car!” Marc Bolan barked at Michael Eavis when the burgeoning festival don – en route to Minehead Butlin’s to replace The Kinks at what was then essentially a farmer’s party taking place on a stage held together with string – tried brushing leaves off his Cadillac. Yet Bolan’s T Rex stormed the inaugural Glastonbury (or the Pilton Pop, Folk & Blues Festival as it was known – £1 per ticket and all the milk you could drink). “Bolan played on and on and on as the sun was going down,” Eavis recalled, “all the hits, the full works, and it sounded fantastic.”
Rex Features
5/20 16. Portishead – Acoustic Tent, 1995
As many a troubadour will attest, it’s rare to find a crush of 15,000 people stuck outside the Acoustic Tent. But the arrival of local (ish) heroes Portishead bearing the sumptuous jazz lounge trip-hop of their hugely acclaimed debut album Dummy prompted just such polite chaos. The lucky few inside reported a bewitching set of very modern heartache – “Glory Box” and “Sour Times” capping a show of immense grace and emotion. As many tears inside as out.
Rex Features
6/20 15. The Killers – New Tent, 2004
The best sign of encroaching superstardom, they say, is when your John Peel Stage debut is as rammed and rambunctious as Theresa May’s leaving drinks. Arguably the first and finest example was the tsunami of fans descending on the New Tent early on the Saturday evening in 2004, to toast the arrival of Las Vegas indie pop showmen The Killers. The crowds stretched far outside the tent but even the ones on the outskirts bawled along to “Mr Brightside” and “All These Things That I’ve Done”. It was such a “moment” that the band returned to the stage (now the John Peel Stage) for a secret encore in 2017.
Rex Features
7/20 14. Orbital – NME Stage, 1994
Dance music had long-since conquered clubland, but its clout as a force to unify a vast festival crowd was unrecognised until Orbital took Glasto ’94 by synthetic storm. Drawing 40,000 ravers to the NME Stage for their headline set with little more than compulsive beats and headlights on their faces, the Hartnoll Brothers dazzled not just the millions watching Glastonbury’s first televised broadcasts on Channel 4, but Eavis himself. So much so, in fact, that he was inspired to open a dedicated Dance Tent the following year. It’s since grown into its own festival-within-a-festival in the Silver Hayes dance village.
Rex Features
8/20 13. New Order – Pyramid Stage, 1981
By 1981, Glastonbury had grown from its Pilton Pop, Folk & Blues roots, but not far. It was a CND charity gathering of around 3,000 bikers burning up the site as they waited for Hawkwind to come on. “It was our version of Altamont but without any trouble,” said New Order’s Peter Hook of their “spirited” support slot, but it was also the moment the band emerged from beneath the lingering clouds of Joy Division and proved themselves the silvery scouts of the new electronic age.
Rex Features
9/20 12. Beyoncé – Pyramid Stage, 2011
If Jay could do it, so could Bey. Following her husband’s celebrated 2008 headline slot (and pregnant with their first child at the time), Beyoncé delivered Glastonbury’s ultimate pop experience to date. “Single Ladies (Put a Ring On It)”, “Crazy in Love”, glitzy covers of both “Love to Love You Baby” and “Sex On Fire’, billowing ballads sung while kneeling on white grand pianos… even the bells had whistles on them. All of this was wrapped up with the most bootylicious of Destiny’s Child medleys.
Rex Features
10/20 11. Dolly Parton – Pyramid Stage, 2014
The Sunday afternoon legend slot was custom-built for Dolly. From “Jolene” to “I Will Always Love You”, the queen of country charmed the sodden 2014 crowd like no other artist in this affectionate slot before or since, with her between-song yarns about mountain life, a song called “Mud Song” specially written for the occasion and her way of calling the event “Glastonberry”. Kylie’s got her work cut out.
Rex Features
11/20 10. Happy Mondays – Pyramid Stage, 1990
By its very nature as a gigantic concave mirror on alternative culture, Glastonbury reflects and exaggerates music’s pivotal moments. Case in point: Happy Mondays roll onto the Pyramid Stage in 1990 – just as Ecstasy is reshaping youth culture into very bendy shapes indeed – and twist the melon of an entire generation with “Step On”, “Wrote For Luck” and “Hallelujah”. Where the Second Summer of Love (1988-1989) was an in-the-know affair, this set made it universally hip to be hairy, lairy, baggy and boggle-eyed.
Getty Images
12/20 9. Jay-Z – Pyramid Stage, 2008
Noel Gallagher wasn’t having it, but Glastonbury 2008 certainly was. Gently mocking Noel’s disgust as rap infiltrated rock’s most revered stage, Jay-Z entered with a ramshackle solo rendition of “Wonderwall”, then all but smashed his acoustic guitar as he burst into “99 Problems”. There followed a veritable firestorm of hip-hop classics – “Izzo (H.O.V.A.)”, “Girls, Girls, Girls”, “Big Pimpin’”, “Hard Knock Life (Ghetto Anthem)” – almost as though Jigga was beating the spirit of Glastonbury into submission before forcing it to wear a Brooklyn Nets shirt. The festival’s mind was opened forever, that night.
Rex
13/20 8. Patti Smith – Pyramid Stage, 2015
Most so-called “heritage” acts go through the motions at Glastonbury – a stout chunk of their folky new record and, begrudgingly, a smatter of their old hits. Not Patti Smith. She attacked the Pyramid Stage in 2015 like a white-haired tornado. Ripping strings from her guitar by the fistful and hailing “Freedom!” at the top of her voice, she tore through “Land”, “Gloria” and The Who’s “My Generation” like the age-defying punk pioneer she is. She even found time to present the actual Dalai Lama with a birthday cake onstage and fall on her face, “because I’m a f****** animal!” Amen.
Getty Images
14/20 7. Oasis – NME Stage, 1994
Scenes become seismic events when they prove they can dominate an entire Glastonbury festival. Take Sunday 26 June, 1994, when a young, cocksure Liam Gallagher strode onto the NME Stage in a black jumper and shades and demanded of a distinctly mad-ferrit crowd: “Are you lot gonna wake up for some proper songs?” Songs rarely came so “proper” as “Cigarettes and Alcohol”, “Live Forever” and “Fade Away”, which joined “Shakermaker” and “Supersonic” in the wider public domain that day – bombardments from Britpop’s northern armies. The Nineties suddenly had some real fight in them.
Rex
15/20 6. Blur – NME Stage, 1994
By the time Pulp and Radiohead had played that same stage, that same day, in a line-up that Johnny Greenwood would describe as ”like the Champions League”, Britpop had officially arrived. To herald this cultural breakout, Blur rolled up in their Parklife charabanc at sundown for a coming-of-age party that saw “Girls & Boys”, “End of a Century” and the era-defining title track taken on as generational anthems, at a show as celebratory and momentous as any headline set. It took a year before the News at Ten caught on, but everyone at the NME Stage that day knew that Britpop already owned the decade.
Getty
16/20 5. Radiohead – Pyramid Stage, 1997
Radiohead’s 1997 headline slot is often cast as a battle – against the elements, malfunctioning stage equipment and their own despondency. “Everything broke onstage,” said Ed O’Brien. “It turned into the worst night of our lives. I don’t think we ever wanted to play a concert again.” But it’s better remembered as a battle against the formulaic post-Oasis rock landscape of Ocean Colour Scenes and Stereophonics, into which OK Computer landed like a laser-precision drone attack. “Lucky” rang out like an epic air-raid siren for the end of the century, and Radiohead’s fresh brand of ultramodern melancholia – “No Surprises”, “Karma Police”, “Airbag” – made it feel as though the future had chosen Worthy Farm for its grand unveiling.
RMV/REX/Shutterstock
17/20 4. The Smiths – Pyramid Stage, 1984
“I don’t want to sound revolutionary, or wild or dangerous, but hippydom… what does it mean?” So said Morrissey, hearing aid firmly in lughole, backstage at Glastonbury 1984 – shortly before The Smiths were resoundingly booed and bottled by a field full of Santana fans. Hippydom certainly wasn’t a bunch of effete Mancunians flapping around singing wiry pop songs full of wry, poetic teenage ennui such as “Hand in Glove”, “Heaven Knows I’m Miserable Now” and “This Charming Man”. The performance inspired Glastonbury’s first stage invasion, but never would Glasto be defined as a purely “hippy festival” again. With The Smiths came a new subculture and a contemporary inclusiveness that reinvented the festival as a youth culture gathering that was indeed revolutionary, wild and a little bit dangerous.
Rex Features
18/20 3. Paul McCartney – Pyramid Stage, 2004
Sometimes all it takes to slip seamlessly into Glastonbury legend is the greatest songbook known to mankind. Sir Paul’s first ever UK festival show – no, really – was the singalong to end them all: “Eleanor Rigby” into “Drive My Car”, “Penny Lane”, “Get Back”, “Band On the Run”, “Back In the USSR”, “Live and Let Die”, “I’ve Got a Feeling”, “Lady Madonna” and a “Hey Jude” you could hear from Dunfermline. That was before the encore. McCartney has been semi-confirmed for 2020 – start refreshing the ticket page now.
Brent N. Clarke/Invision/AP
19/20 2. David Bowie – Pyramid Stage, 2000
Bowie’s reputation as an uncompromising art iconoclast preceded him for Glastonbury 2000. We’d seen him headline festivals before, playing hit-free drum’n’bass sets or onslaughts of screeching future metal that sounded like vaguely tuneful slow-motion car crashes. Needless to say, we weren’t exactly expecting “Changes”. Then he came on in a kind of Moroccan bathrobe affair and sang “Changes”. And “Life On Mars?” And “Ashes to Ashes” and “Rebel Rebel” and “Under Pressure” and “Starman” and “All the Young Dudes” and everything else you could possibly want David Bowie to play. You could’ve seen David Bowie live a thousand times, and this would be the set you remembered.
20/20 1. Pulp – Pyramid Stage, 1995
When The Stone Roses pulled out of their hotly anticipated Glastonbury headline set in 1995, few in the crowd had any idea who was replacing them until Pulp walked onstage. To say they stepped up is a vast understatement – they went down in history. Jarvis Cocker seemed born to prowl the world’s largest stage, chatting to the biggest crowd of his life like it was a mate down his local Voyeurs Anonymous meeting. The likes of “Babies”, “Disco 2000” and ”Common People” crystallised Britpop’s ascendance in 60 or so scintillating minutes. They even unveiled a new song seemingly penned for the occasion – “Sorted For E’s & Wizz” – and encapsulated the bewildering, otherworldly spirit of Glastonbury in 20 words: ”Is this the way they say the future’s meant to feel?/ Or just 20,000 people standing in a field?” And to think, they asked Rod Stewart to fill in first.
Here are some of the rumoured acts…
Paul McCartney
When Glastonbury creator Michael Eavis was asked whether Paul McCartney might make a trip to Worthy Farm, he said: “Hopefully for the 50th. Don’t make a big thing of it though, will you?” Fat chance of that. The Beatles legend is one of the bookies’ favourites to headline the Pyramid Stage, and even said himself he is “starting to think about it”.
Taylor Swift
The singer, fresh off the back of her seventh album Lover, is performing a string of tour dates with a suspicious gap on the weekend of Glastonbury, leading fans to speculate on whether she could be a headliner. Swift has so far remained silent on the matter.
Fleetwood Mac
“I think I’ll burn in hell if we don’t do it one day,” Mick Fleetwood told The Independent when asked about whether his band, who have never played the festival before, would headline Glastonbury in 2020. However Michael Eavis has said they’re too expensive: “I can’t afford them,” he said. “They’ll have to bring their price down.”
Spice Girls
Scary, Sporty, Baby, Ginger and Posh could be destined for the Legends’ slot at next year’s Glastonbury, having recently reunited for a sold-out arena tour – with the exception of Victoria Beckham. But Mel B thinks her elusive former bandmember could be tempted back for a show at Worthy Farm. “My plan is for all five of us to do Glastonbury next year for the 50th anniversary,” she said. “I’m in the process of persuading Victoria to do it. And I will make it happen.”
The 1975
Asked in 2018 whether The 1975 are ready to headline Glastonbury, frontman Matty Healy said: “Yeah, I think we are. I know that we are. Glastonbury, give us a year.” To which Emily Eavis responded with: “That’s good. Interesting. They’re great. Obviously we’d love to have The 1975.” After their headline slot at Reading & Leeds in 2019, could 2020 be their year?
Elton John
Elton John announced that he will be retiring from the road after a three-year Farewell Yellow Brick Road tour, but Glastonbury’s 50th anniversary could be the perfect last hurrah. When asked in 2015 if he’d ever play the festival, John said: “I’ve never been asked… so I can’t answer that question until they ask me.”
Foals
Foals have now played Glastonbury a total of five times, with their last being a secret set at the 2019 gathering. They’ve certainly earned their stripes at Worthy Farm, so it’s possible they could finally get a headline slot in 2020.
Kendrick Lamar
Jay-Z became the first rapper to headline Glastonbury in 2008 and, despite the initial backlash with Liam Gallagher declaring hip-hop as “wrong” at the event, since then Kanye West and Stormzy have followed in the artist’s footsteps. Could Kendrick Lamar be next?
Arctic Monkeys
The Sheffield band have already played two Glastonbury headline slots – one in 2007 and one in 2013 – but that doesn’t mean Alex Turner and co should be ruled out for another performance on the 50th anniversary.
Coldplay
Chris Martin and his guitar made a short and sweet appearance alongside Kylie Minogue on the Pyramid stage in 2019. Could this have been a teaser for the artist to return with the rest of his band in 2020?
The Kinks
Although they haven’t played together for decades, Ray and Dave Davies announced in 2018 that they are recording a new Kinks record together. Given that they were the first band to ever headline Glastonbury in 1970, the 50th anniversary feels like the perfect time to come back.
Ariana Grande
Given her status as one of the biggest pop acts in the world right now, and her attachment to the UK, Ariana Grande headlining Glastonbury could be a real possibility in 2020.
Blur
Damon Albarn and his band headlined Glastonbury in 1998 and 2009. The fact they reunited to play together for the first time in four years in March 2018 has sparked rumours they could be heading back to the festival – after all, third time’s a charm.
Oasis
Despite their many years of public feuding, all fans want is for Noel and Liam Gallagher to reunite and perform as Oasis. And what better time to do so than a headline set at Glastonbury’s 50th anniversary?
