Midnight Mass takes place on the fictional Crockett Island, a thinly populated, vaguely New England community impacted by an oil spill that decimated its once profitable fishing industry. Most of the townsfolk are Catholic and awaiting the return of their elderly priest, Monsignor Pruitt, who traveled abroad on a missionary trip to see the Holy Land. While they wait, Riley Flynn (Zack Gilford) returns via ferry after a four-year prison stint he served for murdering a young girl in a drunk driving accident.
Also newly arriving in the “Crock Pot “ is Father Paul (Hamish Linklater), a mysterious young priest who arrives to temporarily shepherd St. Patrick’s church in Monsignor Pruitt’s absence. As Riley reacquaints himself with his family and the town he left behind, while simultaneously trying to overcome his feelings of guilt, lack of direction, and loss of faith, he reconnects with Erin Greene (Kate Siegel), another former resident recently returned to Crockett after the dissolution of an abusive relationship.
Like Flanagan’s previous Netflix series, the supernatural terror on display almost comes second to the real-life horrors showcased in Midnight Mass. Every night when Riley goes to sleep, he sees the blood-coated face of his young victim lying on the pavement. The town drunk is continually forced to confront the young girl that he paralyzed in a hunting accident. Erin wakes one day to find the child she is pregnant with missing from her womb. A father is forced to confront the resentment he feels for his wayward son. A daughter watches her mother’s mind deteriorate. These stories are human and can be painfully relatable and Flanagan mines them for his most emotional and scarring material. While more traditional monsters and gore earn scares in later installments, Flanagan keeps the audience uneasy early on with everyday horror stories that can keep you awake at night in a way that vampires never could.
Ah yes, the vampire. Or should we call him the “Angel?” Midnight Mass’s big reveal is that Father Paul is really a de-aged Monsignor Pruitt who encountered a vampiric creature while on his pilgrimage. He is given eternal life, but cursed with a hunger for blood and the inability to withstand sunlight. Pruitt brings the Angel back with him to Crockett, mostly because he wants a second chance with the dying woman that he fathered a child with many years ago. If he can give divinity to the entirety of Crockett in the process, then that’s a plus.
It’s a fantastic concept — a holy man that interprets vampirism as divine intervention, playing upon the more horrific elements of the bible and really digging into the “drink my blood, eat my flesh” aspect of Jesus’ last supper — but it is slow to reach its chaotic conclusion. By episode four it’s clear to the audience that Pruitt is using his blood to heal folks like Leeza (Annarah Cymone), but you’re forced to watch as the characters catch-up.
Midnight Mass is thankfully only seven episodes, but really feels like it could have hit its main story beats in four. That’s in part due to the mountain of monologues delivered by every character. They’re mostly beautifully written and well-acted, but when they come one after the other after the other, they begin to have a numbing quality. That’s why Riley’s portion of the story works so well. Riley spends his time confronting his faith and guilty conscience in one-on-one AA meetings with Father Paul, some of Midnight Mass’s most arresting scenes.
