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The Israel Museum has pulled the priceless Dead Sea scrolls out of a heavily fortified vault ahead of its reopening to the public following a five-month shutdown amid to the coronavirus pandemic.

The museum, Israel’s largest cultural institution, closed down in March as the country entered lockdown. But budgetary problems left the Jerusalem museum shuttered after Israel began easing restrictions on public spaces in May.

Most of the museum’s 500 employees have returned from months of furlough ahead of Thursday’s reopening, which will also see the return of other treasured artworks and artefacts. Throughout the empty galleries, curators and cleaners dusted off works, removed protective coverings and returned masterpieces from storage.

Hagit Maoz, curator of the Dead Sea Scrolls at the Shrine of the Book in the Israel Museum, which is returning the scrolls and other treasured artworks to its galleries ahead of this week’s reopening to the public.

Hagit Maoz, curator of the Dead Sea scrolls at the Shrine of the Book in the Israel Museum, which is returning the scrolls and other treasured artworks to its galleries ahead of this week’s reopening to the public. Photograph: Maya Alleruzzo/AP

The Dead Sea scrolls fragile, two millennia-old parchments that include the oldest existing copies of Biblical texts came out of deep sleep in the museum’s climate-controlled vaults to return to display, Shrine of the Book curator Hagit Maoz said.

The delicate scrolls require low light and humidity for their long-term preservation.

Each scroll sits in the showcase only for three months, then we rotate the parts,” said Maoz. Because we didn’t know how long we won’t be here … to be on the safe side we decided to take everything down” to the vault.

Auguste Rodin’s “The Kiss,” is on display in a gallery of the Israel Museum after five months in storage during the five-month closure.

Auguste Rodin’s “The Kiss,” is on display in a gallery of the Israel Museum after five months in storage during the five-month closure. Photograph: Maya Alleruzzo/AP

In the museum’s modern art wing, senior curator Adina Kamien oversaw the re-installation of several statues by celebrated French sculptor Auguste Rodin, including the iconic “The Kiss”. She said:


I feel that the museum is returning to life. A museum that can’t welcome its patrons is a dead museum. An artwork and exhibit are not complete without visitors.

Though the country began rebooting the economy in May, the Israel Museum struggled to raise funding to allow it to sustainably open for the duration of the crisis, director Ido Bruno said.

Israel closed its borders at the start of the lockdown, and the international tourism on which the museum relies for ticket sales plummeted from a record high of over 900,000 visitors in 2019 to zero by mid-March. The museum received funds from American donors and a pledge of funds from the culture ministry that helped it reopen.

In line with health ministry regulations, entry to the museum will be restricted to a cap of 2,000 people at any given time, and tickets must be ordered online in advance.

“Its very, very difficult to be a director of a closed museum, because museums want to be open,” Bruno said.


They want to welcome people. They want to open up.

Staff at the Israel Museum clean pieces on display, including Marcel Duchamp’s “Fountain,” during final preparations to reopen following five months of closure.

Staff at the Israel Museum clean pieces on display, including Marcel Duchamp’s “Fountain,” during final preparations to reopen following five months of closure. Photograph: Maya Alleruzzo/AP



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