Fashion

Christian Lacroix makes shock Paris catwalk comeback


Legendary French designer Christian Lacroix
made a dramatic comeback to the Paris catwalk Wednesday after a decade thanks
to the Belgian master Dries Van Noten.

Lacroix, who no longer owns the trademark to his own name since his couture
house closed in 2009, took a bow to thunderous applause at the end of the show
in the Bastille Opera alongside Van Noten, who is known as the “King of
Prints”.

The pair worked together in secret over the last five months on the rich
and opulent collection, which Van Noten said was inspired by the character of
Lady Honoria Lyndon in Stanley Kubrick’s classic film about an 18th-century
Irish rake, “Barry Lyndon”.

Christian Lacroix makes shock Paris catwalk comeback

The show opened with a pianist playing the second movement of Schubert’s
“Piano Trio”, which featured in the film, on a grand piano.

Van Noten said that he found himself “needing exuberance, opulence, another
volume and fun… and I quickly realised that all roads seemed to lead to the
work and world of Mr. Christian Lacroix.”

Lacroix’s famously decadent shows in the 1980s and 1990s were soaked in the
sun-soaked bull-fighting culture of his hometown of Arles in the south of
France, which is famed for its Roman arena.

Van Noten felt his own “particular mix of Dutch Protestant austerity and
Burgundian opulence” might be an interesting match.

Christian Lacroix makes shock Paris catwalk comeback

‘What fashion dreams are made of’

And critics seemed to agree, with Vogue calling their collaboration “what
fashion dreams are made of”.

Van Noten admitted that given the state of the world, he needed some
escapism and cheering up.

“The political, economical and environmental climate can be divisive
exclusionary and drab.

“This left me thirsting for all that would be maximalist, optimistic,
flamboyant, inclusive and enchantingly extravagant.

“There is a place for powerful opulence, exaggeration and fun and I need
that energy,” he added.

Even so, the designer said that some of the acid floral jacquard prints
they showed were in fact “more muted than the 18th- and 19th-century designs
that inspired them.”

In a nod to the Lacroix tradition of throwing a flower on the runway at the
end of his couture shows — an echo of the bullring in his native Arles — a
single red rose was left on every seat labelled with the legend, “DVN*XCLX”.

Lacroix works these days mostly as a commercial and theatre designer
through his brand, XCLX.(AFP)

Photos : Catwalkpictures, Dries Van Noten PE20



READ SOURCE

Leave a Reply

This website uses cookies. By continuing to use this site, you accept our use of cookies.